What Are The Reviews of the Olds 7c Trumpet Mouthpiece on Trumpet Master Forums

Nearly the Trumpet Mouthpiece

The trumpet mouthpiece is a flake like the interface between the trumpet and the trunk, and it can take a huge effect on your sound, efficiency and consistency.

The main variables in a trumpet mouthpiece are:

The rim

This is where the mouthpiece touches your face! As such, information technology'south of import that it feels comfy to you, personally.

When talking well-nigh mouthpiece rims, we'd generally describe them as either 'flat' or 'rounded' – with every shade in between.

In general, the flatter rims offer more comfort (at the expense of some flexibility) and so they are the more mutual option for new students.

The loving cup

This is the resonating chamber of the mouthpiece and determines how much of the lip will be able to vibrate.

Every bit such, its diameter is an important factor in sound production; a shallow cup generally allows for more control and a brighter tone, whilst a deep cup will produce a darker tone.

Traditionally trumpeters accept used big cup for classical and orchestral playing and small cups for jazz or commercial playing – merely there are of class exceptions to the rule.

In general, a shallower cup also requires less effort from the thespian and, every bit such, is the more common choice for beginner trumpeters.

The pharynx

This is the width of the opening at the bottom of the cup and, as such, controls how air volition pass through.

Because of this, it tin can have a massive outcome on sound production, with a larger throat helping with a large, open up sound, whilst a smaller pharynx creates more force per unit area and helps support those high notes!

The backbore

The backbore is the part of the trumpet mouthpiece where the throat begins to widen.

It effects how the air moves from the mouthpiece into the instrument and it's shape can have a big effect on tone production.

Unlike trumpet mouthpiece brands have unlike terminology, but essentially an open up backbore helps in the lower range whilst a smaller, tight backbore provides more than resistance to back up the upper harmonics.

How to cull a trumpet mouthpiece for jazz

Nigh beginner trumpeters play the mouthpiece they are given, or that comes with their instrument, until they or their teacher decides they've 'outgrown' it.

If you lot're a beginner, choosing a classic mouthpiece with an 'all circular' sound is a safe place to commencement.

After that, it's a case of figuring out which mouthpiece is right for yous, personally.

This tin involve a mixture of inquiry – looking at the set ups of your favourite players – and trying out different mouthpieces to see how they feel.

Remember of information technology like a pair of running shoes: copying the make and size of running shoe Usain Bolt uses volition probably ensure y'all are ownership a quality sprinting shoe, but it doesn't mean they volition be a great fit and make you as fast equally him!

When looking for mouthpieces you need to observe one that fits your face/teeth structure to make sure that no out-of-line teeth are digging into your lip.

When testing out a new mouthpiece for playing jazz, information technology's of import to play a diverseness of tunes and fundamental exercises.

Outset playing softly and in the middle register, and so increase the book bit by fleck, try unlike articulations and styles, and see if yous are drawn towards a certain mode of playing on that mouthpiece.

Of grade, do yous research about loving cup depths and backbores, but don't let that influence your decision: think about the sound you lot want to make and whether this mouthpiece helps achieve that.

"For me, equally shortly as I detect 1 that just makes me want to play and gets me excited nearly expressing myself, that'due south commonly a good sign that it'southward making the right sound and I'm not aware of any discomfort. Then I have it on a gig and attempt it, considering it can all change once yous get on the band stand up!" – Freddie Gavita, British jazz trumpeter

The best jazz trumpet mouthpieces (and who played them!)

Trumpet players love to talk almost mouthpieces and other trumpeters!

It therefore comes every bit no shock that when we hear somebody playing amazing jazz trumpet, we desire to discover out what gear they're using, buy it, and hope that we now sound like that person.

Whilst information technology'southward of course non as simple as that, finding out which of your favourite players uses which mouthpiece and horn is a skilful kickoff in achieving the sound you want.

If you look through the 100 year history of jazz trumpet, y'all tin can spot some interesting trends and a slow shift from smaller equipment with more resistance to large gear with less.

One theory is that the development of alive sound engineering, microphones and recording equipment has changed things; that brighter audio that carries over the rest of the band is less important now than in years gone by.

Nowadays we see jazz players burying the bell into a microphone to get a warm, smokey sound; a bigger mouthpiece generally gets you a darker sound.

Trumpet players are notorious for chopping and changing, but interestingly information technology seems that the jazz players of the swing and bop eras seemed to stick with their mouthpiece and change the horn instead.

Whilst most trumpet mouthpieces come in a range of sizes, the overall brands tend to have their own specific characteristics. That'south what makes these next trumpet mouthpiece makers the recognisable and sought-after pieces of equipment they are!

Vincent Bach mouthpieces

Different eras in jazz may have called for changes in playing styles, but one brand has stayed throughout!

Vincent Bach is one of the swell brass innovators, producing industry standard trumpets and mouthpieces since the early 20th Century.

Vincent Bach mouthpiece have been used by pretty much every famous jazz trumpeter at some bespeak in their career including, to name just a few:

Clifford Chocolate-brown (Bach 10-3/4C)
Woody Shaw (Bach 7C)
Freddie Hubbard/Chet Baker (Bach 6)
Kenny Wheeler & Arturo Sandoval (Bach 3C)
Wynton Marsalis (Bach 1-1/4C)

As you tin see, there are a lot of different players with very different sounds, all playing on Bach mouthpieces. Equally such, they are more of a high quality blank sail compared to others which have a strongly recognisable effect on your sound.

Best all-round jazz trumpet mouthpiece – the Bach 3C

You'd be hard pressed to find a better all round mouthpiece than the Bach 3C – it's probably the most common size and is used past players in a wide variety of styles, so if y'all want ane mouthpiece that you can play New Orleans, big ring, be-bop, contemporary music and more, this is the one.

Information technology's also available as a 'Megatone' model, with more than mass added, which can brand the trumpet slots feel a little more than secure.

Bach Trumpet Mouthpiece 3C

Medium cup depth
xvi.iii mm cup diameter
Medium broad rim shape
Allows for greater range
Great for intermediate to avant-garde...

Best for beginners – the 5C

Bach mouthpieces are great value and often work well – in sizes similar a 5c, 6c or 7c – equally a beginner trumpet mouthpiece. They'll allow you to create the audio you want, rather than the audio the mouthpiece wants yous to have!

Bach Trumpet Mouthpiece 5C

Medium cup depth
16.26 mm cup diameter
Medium-wide, well-rounded rim
Allows for greater range
Great for intermediate players

Anecdotally, Vincent Bach mouthpieces have some limitations with tuning and consistency compared to some of today'southward high-tech CNC produced mouthpieces but they are a not bad, comfortable, proven option.

Heim mouthpieces

In the mid 50s, Miles Davis (probably i of the but jazz trumpeters nosotros haven't seen use a Bach!) moved onto his Heim mouthpiece.

It had a narrow rim with a deep V cup that helped him create the super night trumpet audio he's known for.

Many Miles Davis devotees, including Wallace Roney and Enrico Rava, played these likewise, and they really do help to get that sound.

On the negative side, these mouthpieces are hard to find, and are often in poor status these days.

If your goal is to get that dark Miles Davis audio on your trumpet, your best bet is to look for alternative mouthpieces with that deep 5-shaped cup.

Heim alternatives

The Kanstul – which is still manufactured today – was designed for Miles a chip afterwards on in his career.

Whatsoever trumpet mouthpiece you can observe with a more than flugel/cornet fashion V loving cup will assistance you get closer; the Bach vii is a proficient example of this!

Monette Mouthpieces

The emergence of Dave Monette'southward brand in the mid 80s was a game changer for jazz trumpet playing.

No ane had marketed a mouthpiece like this before, and getting the earth class Wynton Marsalis on side was a masterstroke!

Wynton was the first of many to switch from a Bach mouthpiece to a Monette, followed by 1990s rising jazz trumpet stars such as such Ingrid Jenson, Ryan Kisor, Roy Hargrove, Nicholas Payton and Jeremy Pelt.

Monette mouthpieces have large throats that go on your sound full. They can take a lot of air, but require a lot of back up and an efficient technique to become the virtually out of them.

The rims are very comfortable, they have a diversity of cup depths available, and are favoured by a lot of contemporary jazz players as they permit the sound to be bent and moved all over the place.

Unless you already play a Monette trumpet, we'd advise choosing the STC-1 weight seriesand either the B6 (close to a Bach 3C) or B2 (close to a Bach 1C).

The new "Resonance" models are a big step forward, but at a much higher price than a Bach, perhaps not the most accessible to the upward and coming player. If you're an avant-garde trumpet player, this one has got to be tried!

If you lot showtime listening, you'll always be able to tell when someone is playing a Monette. Unremarkably they have it considering they desire to sound similar Wynton!

Al Cass

During the 30s and 40s, Al Cass mouthpieces were all the rage.

You tin hear Harry 'Sweets' Edison, Roy Eldrige, Dizzy Gillespie, Howard McGhee, Red Rodney and Blue Mitchell all playing on these, and the characteristics are at that place to hear!

You get a vivid, heady sound with a actually ambitious assail from these mouthpieces, and they clearly help you get heard over a large band!

They don't necessarily aid yous play higher than yous already can, only they can help reinforce your current range.

With shallow mouthpieces you need to brand certain you let the extra resistance do some of the work for you, so if you're trying something like this out, brand sure y'all try not to blow equally difficult as you usually practise!

These mouthpieces are like to the Heim equally they are not actually played much anymore.

Marcinkiewicz

For a reasonable price, you tin can get like characteristics from the Marcinkiewicz brand, particularly the Bobby Shew model.

The Shew seems to exist universally quite comfortable and goes confronting the rule of just buying a mouthpiece because it was developed by a sure actor!

Giardinelli

Another manufacturer popular with jazz and commercial players from the 20th Century is Giardinelli…and these are even so bachelor!

Played by real trumpet heroes such equally Derek Watkins, Tony Fisher, Bill Chase, and Maynard Ferguson, they are popular with the more than commercial end of the jazz spectrum, and were also used by some guy called Louis Armstrong.

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Concluding words: Your next jazz trumpet mouthpiece

Using the sounds of your favourite jazz trumpet players is useful as a guide for equipment, but ultimately it's down to you to choose one that'southward comfortable and allows you to brand the sound yous want to make.

The adept news is that at that place's a huge range of slap-up mouthpieces out at that place, for every possible style you could desire.

Mouthpiece making has improved dramatically over the last thirty years, with some large names hitting the market and staying there.

Manufacturers like Monette, Gary Radke, Antonio Rapacciulo, Harrelson and Austin Custom Brass have come in with great innovations such as computer guided cutting tools, constant pitch center, adjustable mouthpieces and complex series of play tests to help you choose the right one!

And, alongside that, there are still legendary vintage brands producing splendid mouthpieces in 2022.

We hope this guide has been useful and experience free to post any questions beneath. You lot can find all our articles relating to jazz music of all styles here.

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Source: https://jazzfuel.com/jazz-trumpet-mouthpieces/